In our second-to-last episode of season one of our podcast, musician and mathematician Vivian Tylinska discusses her Russian futurist-inspired transcendental black metal project, Victory Over the Sun.
"I like to make music that is complicated...to use math, to use the ideas that were developing in the 20th century in classical music using the language of metal. There is definitely correlation between math and music in terms of music being sets of pictures, the frequencies, the way elements interact. Over the last year, I’ve been very interested in microtonal music, which uses notes that are not the 12 notes that are most common in Western music. We get different relationships between tones, which gives you different flavors and qualities of chords. That can give you very different range of emotional feelings that don't exist in Western music. There's math in that, the way that you choose the notes, the way that you arrange things.
Rhythmically, there are also complicated rhythms that have more large scale structures. What I've been doing this year is, I will take off the frets on a guitar and fill them in and cut new frets in. I use 17 tones instead of the usual 12. You get different flavors. 17 is nice because you can do similar stuff that you can in 12 but there are alien sounds, there are foreign and dissonant sounding intervals, which I think are really interesting. Whenever I show people microtonal music, at first, they’re like, 'This just sounds bad and out of tune.' I’m like, 'No, but it's a different tune!'
My solo project is called Victory Over the Sun, which is the name of a Russian futurist opera from 1917. It's designed by this Soviet artist, Kazimir Malevich with text by other Russian futurists. I've been very interested in Russian futurism. Italian futurism was closely associated with fascism, which I absolutely condemn; I have no interest in Italian futurism. Russian futurism is what fascinates me most. I am working on a new project about Kazimir Malevich called 'The Objectless World', based on his ideas about art as pure emotional expression and a non-objective representation of feeling."
Hear the whole podcast episode on iTunes or SoundCloud: Future Prairie Radio Season 1 Episode 11: Victory Over the Sun.
For our latest podcast episode, we interviewed ceramicist Jackie Gow. Jackie makes narrative, symbolic ceramic art as well as laser-etched tableware and planters. She’s a student of International Migration and Public Policy at The London School of Economics and Political Science and previously worked on the Family Reunification Program for the International Rescue Committee, where she represented and advocated for her clients’ human rights.
We visited Jackie at her art studio in what used to be the immigration building of Seattle. Jackie’s art is quite relevant to discussions of the future as we grapple with a federal government shutdown while divisive rhetoric around the potential construction of a southern border wall rages on. We can’t have sensible discussions around options for our future without looking, at least in part, through the lens of the past, and ceramics are one of humanity’s oldest art forms. Jackie spoke about her art practice, the American dream, sustainability in ceramics, and her favorite form of tableware, a hybrid of a bowl and a plate that helps reduce food waste and is suitable for meals from many different cultures and cuisines.
Given her passion for human rights and migration policy, we released her interview on the 74th anniversary of the liberation of Auschwitz. After the interview, in honor of International Holocaust Remembrance Day, we share a few fundamentals of universal human rights.
Hear the whole episode here.
See more of Jackie's work here.
For the latest episode of Future Prairie Radio, we interviewed artist, illustrator, and GIF queen Courtney Brendle. Courtney discusses GIFs, the future of visual communication, using art to make tech more human, and of course, how to make a GIF.
Check out the whole thing on iTunes and SoundCloud: Future Prairie Radio Season 1 Episode 9: A Thousand Words with Courtney Brendle.
See more of Courtney’s work here.
Amber Case is an artist and designer who studies the interaction between humans and computers.
Amber looks at how our relationship with information is changing the way cultures think and act, and how they understand their worlds. Amber's work in the field of cyborg anthropology and user experience design led to a two-year fellowship at Harvard University’s Berkman Klein Center for Internet and Society and the MIT Center for Civic Media. Amber is the author of two books: “Designing with Sound” and “Calm Technology: Design for the Next Generation of Devices”. Amber’s TED talk, “We are all cyborgs now,” has been viewed over one million times. Amber was featured among Fast Company’s Most Influential Women in Technology in 2010, was the co-founder of a location-based software company acquired in 2012, was named one of National Geographic’s Emerging Explorers and was listed among Inc. Magazine’s 30 under 30.
Along this journey, just for fun, Amber founded CyborgCamp, a conference on the future of humans and computers. I caught up with Amber there, at the tenth anniversary of CyborgCamp, where we stole some moments away in a sunny corner of a little classroom. We enjoyed a wide-ranging discussion on career, creativity, class, the theory of time, and time management.
Listen to the whole episode here.
Find out more about Amber here.
This month’s Future Prairie Radio episode features interviews conducted out and about in the streets of Portland, Oregon.
The artists of Future Prairie spent a day interviewing the public in celebration of International PARK(ing) Day, an annual global event that occurs on the third Friday in September and has been taking place in Portland since 2006. PARK(ing) Day supports creative placemaking by allowing people to temporarily convert on-street parking spaces into interactive public spaces. This year, eighteen parking spots around Portland were turned into unique spaces such as a bubble park, a miniature salmon stream, an art studio, a putt-putt golf course, a letter-writing lounge, a bike-fixing station, and more.
We set up a mobile podcasting studio on NW 11th Ave between Couch and Davis right outside the largest independent used and new bookstore in the world, Powell’s Books, and we asked people, “What do you envision for the future of our city?” Produced in collaboration with the City of Portland and the Bureau of Transportation.
Listen to the whole episode here.
Find out more about PARK(ing) Day here.
Our music for this episode is by Maiah Wynne.
Pick up any business forecasting magazine today and you’ll read about how the future of business will be defined by collaboration. For our latest podcast episode, I wanted to get beyond that catchphrase and find out what it looks like to professionally collaborate from someone who’s in the trenches.
Natalie Rose Baldwin is a highly-decorated brewer and a multipotentialite with many interests and pursuits. In her teenage years, she trained to become a professional skiier, then she studied biochemistry at the University of Colorado in Denver before beginning a career in beer making in Portland, Oregon, where she’s become one of our brightest and most collaborative beverage industry leaders. Not only that, but she’s a gender-bending queer woman who mentors members of her communities and co-founded the Lady Brewer Girl Gang, a professional association of women helping to shape the future of the brewing industry.
In today’s episode, she talks about some of her favorite collaborations, how to be a good peer to your collaborators, why the communities pubs create are important, and the history of women making beer.
You can hear our whole conversation here.
You can follow Natalie's adventures in brewing on her Instagram, and you can find out where to taste her beer at breakside.com.
Our music for this episode is by Lenore.
I was thinking of home when I first learned about supercities. What feels like home to you? Do you feel a certain civic pride? In this nebulous landscape of ever-shifting political boundaries, is home a state or a nation, or is a racial or a religious pride, or a regional one, based not on the lines we draw but on a shared natural or cultural beauty? Imagine if a group had the power to take your home and redefine it, to give it a new name, assess its worth and potential, and redesign its map, structure, and systems. In the long dance of history, this has happened many, many times, and it's happening again, now, in China.
The Chinese government recently announced their intention to move forward with a long-term urban development strategy they've been considering for years. The plan will foster the rise of enormous economic regions called supercities, anchored around large central urban cores like Hong Kong; Shanghai; or Beijing, and encompassing a number of surrounding, smaller cities. Kind of like a county, but WAY bigger than any county you've ever seen or heard of. By the year 2030, China's nineteen planned supercities will be connected by 26 high-speed train routes. There's a possibility that governance models would shift to mirror the supercities. Many urban planners and economists predict supercities could transform China into the wealthiest, most productive country in the world. To explore the context of a supercity, I interviewed Vivek Shandas, an urban studies and planning professor, fellow of the Institute for Sustainable Solutions; and founder of the Sustainable Urban Places Research Lab.
“If our intent though is to create identities, cultural identities of people who share a common vision and share a common interest in seeing a place thrive in their own way…a supercity may be difficult. What would it mean for a community to maximize for happiness? What would it mean to really authentically think about people's self-identified state of wellbeing? That would include health, how well your physical body is, how well your mental body is, how well your spiritual body is, your community or family or whatever you identify with as your group, your kin — how intact is that? What if we were to think about happiness indexes that were about our human health and wellbeing, in the broad sense, and maximize towards that?"
You can hear our full conversation here.
Check out Vivek's work here.
In this episode, we explore how best to live while in a body. It seems we’ve been living with a mind, body, spirit split for a while now. Assuming we are comprised of these three component parts, it’s in our collective interest to learn more about them and how best to navigate our time here.
Brain mapping and new research into AI neural networks promise to deliver a future where we can shed our bodies like a snake shedding skin and step into a house of our own choosing. I wonder though, how we feel ready to go ‘round inserting our consciousness willy-nilly into any old sheath when we have hardly learned to cope with the everyday burdens of existing in our current flesh.
We are gifted or afflicted with bodies that, more often than not, don’t align quite right with our perception of ourselves. This is troublesome because the body is a form of self-expression, a dynamic manifestation of our attitudes, aspirations, our trials, our tone, our choices. If you've been furnished with a body that reflects your innermost workings, I applaud you, but I know that I for one, the I, the me who names myself, would like to find a way to be happier while existing in a body. How should a person be?
Here to help me examine this question is Beck Beverage, an artist, musician, dancer, and certified personal trainer who owns a gym called Sweet Momentum. Beck has a quiet joy about him that draws clients who’ve struggled with illness, chronic pain, body dysmorphia, eating disorders, and many other issues I’ll group under the broad umbrella of “Body Feelings” to seek training with him.
I’ve never met someone who explores movement like Beck, who perches on the tip of a rock to find the stillest stillness, lowers himself off limbs of trees to hang in the breeze, and walks barefoot across the forest floor, attending, listening. Or maybe I’ve met hundreds of people like Beck — children — stainless, fresh humans who move with curiosity and ignorance and are happy to report back to you on every feeling they encounter. Beck shares his personal embodiment journey and offers tips for ours.
You can hear our full conversation here.
Check out Beck's gym here.
I came upon Jaleesa Johnston’s art while I was studying Afrofuturism, a cultural philosophy and aesthetic that explores the intersection of African culture with modern futurism. Afrofuturism combines elements of science fiction, fantasy, and magic to critique the present-day dilemmas of black people and to interrogate and re-examine historical events. Jaleesa’s art brings a stark, energetic perspective to our cultural conversation about race, and we can’t talk about the future without candidly examining who gets to live in that future.
Jaleesa integrates sculpture, collage, and dance into installations and performances, many of which are Afrofuturist in their exploration of Black women’s bodies. I sat down with Jaleesa to ask her about art and identity, and two specific pieces of hers: a contemporary dance called Rise and Fall, and a photo collage series called Between Contact.
You can hear our full interview here and see more of her work here.
One of the questions I love to ask people when I talk to them about the future is how they will know when the future has arrived. Will there be a certain marker or object or system that will indicate to them that we've really made it? A frequent refrain is about flying cars: "Once we have flying cars, I know it will feel like it's officially the future."
I find it interesting that transportation and mobility make up so much of our fantasy of futurism. We dream about better ways of getting around because we want to spend our time more prudently. We're looking for ways to spend less of our hard-won free time in traffic, and if we are going to be in traffic, we hope to find ways of being more productive, happy, or engaged while we're in there waiting to arrive at our next destination. For me, the future often feels like a destination. It has an elsewhereness; it's the promise of going somewhere, working towards something, keeping ourselves in motion, hanging onto a hope that it gets better.
One of the industrial shake ups that's changed how we look at making our systems better in the transportation space has been the advent of the sharing economy and the resultant shift away from car ownership to ride-sharing. In the United States, low-income citizens, minorities, teens, people with disabilities, and older adults typically have longer commutes and higher transportation costs. Ridesharing is seen as a potential solution to this inequity. Our best regional planners, policy-makers, non-profits are looking for ways to ensure that all their citizens can affordably access housing, jobs, healthcare, childcare and other essential services. Part of this depends on our support for the investment and production of equitable transportation-oriented development.
Transportation network companies like Uber and Lyft offer a solution, but many people have factors that limit their access to ride sharing platforms. A primary factor, of course, is cold hard cash — whether or not you have enough to be able to afford a Lyft or an Uber to get you where you need to go. Many other accessibility factors come into play, some as basic as whether or not you can afford a smartphone and if you have a good data plan that will allow you to send and receive information quickly. Another is if you can see well enough to use an app on your phone that isn't designed with the visually impaired in mind. Another is if you have the manual dexterity to type in the address of where you want to get to. Another is if you have the familiarity with technology to understand how to use a ride-sharing app; for those who aren't digital natives, this might not be intuitive at all.
One of my biggest questions about the future is how we can include under-served communities in our grand visions, when we use new tools to fix old, broken systems within urban design, strategic economic development, social planning. When we look at the arc of history, class disparity comes up again and again as a thorn in the side of our biggest aspirations.
Our second podcast guest is Eric Johnson, who's talking to us about equitable transportation and a unique model of ride-sharing that's outside of the commercial model of transportation network providers like Uber and Lyft. Eric is a consultant for cities and counties; he helps them understand how to incorporate ride-sharing solutions into their communities. He's also the founder of the San Francisco Casual Carpool website.
If you're interested in learning more about equitable transportation, I encourage you to check out LivingCities.Org. Living cities is one of the best organizations I know that's working on class disparity. They work with some of the world's largest foundations and financial institutions to develop and scale urban design approaches that serve low-income people. Their investments and research support innovative, comprehensive, local approaches with real-time knowledge sharing. If you sign up for their newsletter, you'll find all kinds of ways to get involved.
If you're enjoying the podcast so far, I hope you'll consider checking us out on patreon.com. Much like your favorite public radio station, we survive on the support of a couple sponsors and our listeners who enjoy what we do! On Patreon, you can chip in a couple of dollars a month and help sustain Future Prairie. Your support will go directly to the production of our content. Patrons get first dibs on events, behind-the-scenes sneak peeks, secret shop sales, discounts to community partners, & hot futurist music playlists. Consider becoming a patron today! Patreon.com/futureprairie
Our music for this show was mixed by DJ xCarlisax, a house DJ based in New Orleans. She is a member of our creative collective, and the weekly dance parties she helps host were recently written up on Noisey and Vice. You can hear a selection of her work here.
You can hear the full episode here.